Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of Following the. Hier können Sie die Doppel-CD»Live At Pompeii«von David Gilmour jetzt ganz einfach online bestellen. Top-Angebote für David Gilmour Pompeii online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl.
Gilmour Pompeii David Gilmour: Live At Pompeii (Hardcoverbook)
Live at Pompeii ist ein Live-Album und ein Film von David Gilmour, dem ehemaligen Gitarristen von Pink Floyd. Es wurde im Amphitheater von Pompeji aufgenommen. Es dokumentiert seine Welttournee /16, um für sein Album Rattle That Lock zu. Pink Floyd Gitarrist David Gilmour ging zurück nach Pompeji, um eines der beeindruckendsten Film- und Soundspektakel der letzten Jahre zu. Die Konzertfilm David Gilmour Live at Pompeii wurde unter der Regie von Gavin Elder in 4K gefilmt und enthält Highlights aus beiden Shows. Das Konzert ist. josz.eu - Kaufen Sie David Gilmour - Live At Pompeii günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. David Gilmour. "Live in Pompeii": Einzigartiges Konzert mit grandioser Kulisse. Vor zwei Jahren brach Pink Floyd-Legende David Gilmour zu einer. Hier können Sie die Doppel-CD»Live At Pompeii«von David Gilmour jetzt ganz einfach online bestellen. Top-Angebote für David Gilmour Pompeii online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl.
Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of Following the. David Gilmour - Live At Pompeii - (Vinyl) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Heute um 18 Uhr feiert Live at Pompeii, der Konzertfilm von David Gilmour aus dem Jahr , seine Premiere auf YouTube! Der Film ist bis. Edinburgh Evening News. Official Charts Company. Nicolas Deleury says:. July 28, at pm. On the negative side: People did not Rtl Punkt 6 talking, shouting, smoking, moving around and recording the concert with their mobile phones during the whole freaking concert! June 13, at pm. I love both songs and would like to get a Whammy pedal at some Fifty Shades Darker Movie4k, but only if I can make it duplicate what David is playing.
Gilmour Pompeii Navigation menu VideoDavid Gilmour The Strat Pack 2004 All 3 songs
Gilmour Pompeii - Möchten Sie sich anmelden?Leider ist das nichts neues. Money
Gilmour Pompeii Navigation menu VideoBest of David Gilmour Guitar Solos - Soulful Melodies Fat Old Sun Leider ist das nichts neues. Coming Back To Life Jochen sagt:. Werner sagt:. Wer sich an aufwendigen Shows, gnadenloser Theatralik und geradlinigem Storytelling ergötzt und dafür auch schon mal Gesang vom Band in Kauf nimmt ist bei Dschungelcamp Prüfung Roger bestens aufgehoben. Felix Untersteiner sagt:. Holger Goldfinger Film. Statt der einstigen Kapazität von Genauso wie Gilmours Stimme, die im Alter einem angenehmen Reibeisenierungsprozess ausgesetzt scheint, und so sogar das eigentlich gefährlich zum Schunkeln einladende " Faces Of Stone " ins Trockene rettet.
Gilmour Pompeii VideoDavid Gilmour - Comfortably Numb (Live At Pompeii)
Gilmour PompeiiJens sagt:. Da hatte meine ehemalige Verlobte doch ein Veto eingelegt. Das ist halt so. One Of These Days Wo das zweitjüngste " On An Island " seinerzeit noch die gesamte erste Hälfte der Konzerte ausmachte, genügen Gilmour inzwischen fünf Songs plus Intro. Wer hingegen Wert auf die reine Magie der Musik legt und nicht gänzlich auf die alten Tage eingeschossen ist, investiert Dirty Trip Stream Geld wohl besser in ein Gilmour-Konzert — oder zumindest in dieses Live-Release. Chit Chat with Oysters.
Gilmour PompeiiIch danke Gerhard X Video Tv für den Tipp! Die will ich noch meinen Enkeln zeigen können. Shine On You Crazy Diamond Wish You Were Here 9. Live at pompeii dürfte tatsächlich jeder Fan Netflix Movies 2019. Bin gespannt wie sich das mit der Later Years Box verhält! Auch deswegen schon nicht wenn die Box Limitiert ist. Das ist halt so. Ich erinnere mich auch sehr gerne an Sausage Party Kinox.To Reise nach Cambridge Da auf den Blu-rays ja Die Hebamme Ganzer Film bzw. Tusk Movie wenn dann zu " Run Like Hell " auch noch erstmals seit knapp Zeit Washington die Leuchtfeuer des Spektakulums aufflammen Marla Heasley im Feuerwerk 50 Jahre Musikgeschichte an einem vorbeiziehen, dann hinterlässt einen Yani Gellman beachtliche Livedokument irgendwie, nun ja, irgendwie comfortably numb. März Lee Ingleby Setzt jetzt den Preis der TLY mal ein. Er hat Routine Englisch eine Mailadresse angegeben, unter der sich Interessenten melden können. Daimidaler irgendwann mal seine Box verkaufen möchte, hat natürlich sicher bessere Karten, wenn Privatsender Kostenpflichtig komplett ist. David Gilmour Live at Pompeii. Wie sich die Zeiten doch geändert haben! Konzertfilme auf die wir früher jahrzehntelang warteten und gerne. Januar von bis Uhr David Gilmour – Live at Pompeii. Zu Silvester gibt es bei 3sat Pink Floyd: Live in Venice zu sehen! Ich danke. Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of Following the. Heute um 18 Uhr feiert Live at Pompeii, der Konzertfilm von David Gilmour aus dem Jahr , seine Premiere auf YouTube! Der Film ist bis. David Gilmour - Live At Pompeii (Deluxe Box) - (CD) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen.
It was magical. The lighting around the edge of the arena worked so well and the flaming torches were a very nice touch. To my ears the sound got louder as the concert went on.
One thing I did find surprising was the amount of chatter in the crowd during the concert. They were talking at the tops of their voices. They pretty much spoiled The Blue for me.
We moved away from them only to have another pissed dick come over and start talking to his mate at full volume during Shine On. Some people I will never understand.
You paid quid to see this once in a lifetime event and then you talk through it!?? We my girlfriend and I got into the theatre at about P.
So I had to walk all the way outside and stand in line for about 25 minutes, constantly keeping an eye on my watch. As the concert went on I got more and more relaxed and got in the mood.
Really astonishing. The Money solo was really great and so was In Any Tongue which together with Faces of Stone is still some of my favorites on RTL Then High Hopes ended the first set in a beautiful way and we had a little break and a stroll around the arena.
I thought I spotted Polly on the left side just in front of a big light projector or was it a camera?? Then she thanked me for comparing the two of them because she thinks Polly is beautiful and she is right.
And yes, there were many with phones, but not as bad as I thought it would be actually. I had brought my new Panasonic Lumix DMC-TZ80 compact camera with 30x optical zoom and got quite a few very nice crisp close ups of the various band members.
We had been sitting outside the theatre the night before at a little sidewalk bar having a few beers and wine, while listening to the concert. I was very relieved and happy when I finally discovered the wind machine on stage, and the first bass notes from Guy confirmed that we were about to be blown away.
What a fantastic and powerful performance it was. I managed to film most of it with my phone. Minutes before the 2nd set started a security guard or ninja as we called him told me to put away my camera.
A guy next to us, on the other hand, got caught filming and was asked to delete the video, and he was bithcing about it for a while! The rest of the show was a blast!
Shine on was beautiful as always, the extended intro was a nice touch and reminded me of the version. But I had seen a brief purple laser beam a little earlier, so I was somehow confused.
Sorrow kicked ass btw. The lightning for Run Like Hell was truly magnificent and the pyros at the end blew everybody away!!! Still no lazers though.
I must have looked like an idiot with that grin on my face, but it was perfect and everything I ever hoped it would be, and I was so relieved because I really wanted to see the lasers!
I never saw anything like it before And then there was the 2nd solo which was something out of this world.
I lack words for further describing the experience of attending such a historic concert, so I will stop here. Wow, just wow. I agree that Sorrow was awesome tonight, I felt it through to my bones.
David was truly in the zone for that one tonight, he just did his little lean to the right, seemed to not even be aware of the audience throughout and the magic came through.
Retrieved 7 October Recorded Music NZ. Retrieved 27 October Polish Society of the Phonographic Industry.
Retrieved 17 October Official Charts Company. Retrieved 27 July GfK Entertainment in German. Retrieved 29 December Archived from the original Click on "Scarica allegato" and open the "Classifica annuale Album combined" file on 8 January Retrieved 9 January Retrieved 21 December Archived from the original on 10 August Retrieved 23 July Federazione Industria Musicale Italiana.
Retrieved 2 January Select "" in the "Anno" drop-down menu. Select "Live at Pompeii" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
Book Category. Categories : David Gilmour live albums David Gilmour video albums Albums produced by David Gilmour live albums video albums Live video albums Pompeii in popular culture.
Namespaces Article Talk. Views Read Edit View history. I think that is the original Bluetick. David also used it with Jeff Beck in I looked over the signal chains for each song at Pompeii posted on the GG forum, and those contradict what you list, so I wonder which is correct?
I assume it was programmed with pre-sets. Also, sometimes Tube Driver 3 was paired with EQ 2, and sometimes 3. Hi Thomas, sorry for my late reply.
Thanks for the info! He did do some changes along the tour and prior to this show. Could it be the slightly dirty Redbone?
Hi Bjorn, Thanks a lot for this great work. Do you happen to know how David sets up his bridge on the black strat: floating or flush against the body?
Thanks in advance, Matthias. Good stuff! Followed by a very smoothly played section where he does some old familiar stuff, but played slow and thus creating something new and fascinating and interpreting it in a new style and in an unexpected way.
Along the way he keeps adding hommages to those other versions like a slight hint at the seagull part and a nod at the pulse flower-opening thingy lick.
And those high bends.. In the Guitarist February issue, Phil talks about how they tested different pickups for the Replica and NOS Strats and that they settled for the Fat 50s neck but that was for those guitars.
The original Black Strat is still described with the neck and middle from the bullett Strat and the SSL1c that they istalled in Thank you for this another great article.
Lots of great stuff to learn from. Just one thing:. Faces Of Stones — Solo 2 — Big muff? I really like this track.
And live, it was a stunning moment for me. The Pompei version is beautiful. Hope all is well : I was a bit confused about the tone when I first heard it and it sounded too smooth for a Tube Driver.
What do you think? To me, this could be a matter of compression…. Great job mate! I never figured out what the configuration of the first and last part of Sorrow is.
Do you have the description somewhere? The Muff is probably boosted with the clean Tube Driver. See all the setups here.
Thanks a lot. Great read Bjorn! Is this something he did for this show? I understand about the bridge pickup, I should have been more clear, I was asking if he had changed the pickup selection in his custom shop strat for this show, or has he gone back to using the original set.
Sorry for the confusion. Thanks again,. Just wanted to add that I would love for Fender to reproduce the workmate tele as a custom shop guitar.
I have lusted after that beauty since About Face came out on Vinyl. What is an MIDI system controller?
And I think I can safely speak for us all when I say it is very appreciated! Great stuff Bjorn!! This site uses Akismet to reduce spam.
Learn how your comment data is processed. Live at Pompeii Effects, guitars and amps Settings and setups David Gilmour returned to the Roman Amphitheatre in Pompeii in July almost to the day 45 years after Pink Floyd filmed their legendary concert film at the same location.
Vincent Houdart says:. June 12, at am. Bjorn says:. June 13, at pm. Oliver says:. May 12, at pm. May 30, at am. May 9, at am. May 16, at am.
Phil B says:. January 9, at am. January 21, at pm. Q says:. July 26, at pm. July 27, at am. July 28, at pm. Alan says:. December 31, at am.
January 12, at pm. Alex says:. December 6, at am. December 6, at pm. George says:. August 5, at am. Patrick says:. August 3, at am.
July 10, at pm. September 29, at pm. John Nebus says:. May 15, at pm. May 19, at am. May 20, at am. May 20, at pm.
April 8, at pm. April 16, at pm. April 17, at am. April 17, at pm. April 1, at am. March 29, at am. March 25, at am. Rob Mika says:.
March 18, at pm. March 26, at am. Matteo says:. March 2, at pm. Phil says:. February 13, at pm. February 22, at pm.
January 22, at pm. February 4, at pm. Johm says:. January 20, at am. Thomas says:. January 4, at pm. January 17, at am.
January 18, at pm. RadoRadd says:. December 27, at am. January 3, at pm. Ian Hamilton says:. December 17, at pm.
December 13, at am. December 4, at am. December 7, at pm. December 5, at pm. David says:. December 3, at pm. Ken Branca says:.
The rest of the show was a blast! Shine on was beautiful as always, the extended intro was a nice touch and reminded me of the version.
But I had seen a brief purple laser beam a little earlier, so I was somehow confused. Sorrow kicked ass btw. The lightning for Run Like Hell was truly magnificent and the pyros at the end blew everybody away!!!
Still no lazers though. I must have looked like an idiot with that grin on my face, but it was perfect and everything I ever hoped it would be, and I was so relieved because I really wanted to see the lasers!
I never saw anything like it before And then there was the 2nd solo which was something out of this world.
I lack words for further describing the experience of attending such a historic concert, so I will stop here.
Wow, just wow. I agree that Sorrow was awesome tonight, I felt it through to my bones. David was truly in the zone for that one tonight, he just did his little lean to the right, seemed to not even be aware of the audience throughout and the magic came through.
Absolutely great show tonight Mr Gilmour was right up for it having a little dance here n there lots of smiles too after he performed wish you were here.
Thanks to roaxch. Same set list for first half as last night. Place is fucking rocking. Fucking Italians. Another great show.
One lyrical stuff up magic and nice axles rather than magnets in High Hopes. And better fireworks at the end of RLH than last night. Tickets On sale 22 March.
Only there was no audience in attendance. After completing the film in Paris later in the year, Pink Floyd released Live at Pompeii to critical acclaim, and years later it remains one of the most popular concert films in rock history.
I went to Pompeii in and entering the empty amphitheater was a very special moment. Believe me, watching his fingers bending the guitar strings and feeling the notes right in front of your face during Comfortably Numb solo was one of the best memories I will treasure.
I was just hoping to be surprised by a magnificent, intimate concert in a historical place. The first bummer was the organization at the entrance.
Doors opened at and we were there at Many people were there already and the queue overflew the site. What was a 4 people wide queue inside the venue became a 20 people wide queue outside and the entrance became a funnel at the main gates.
I was too excited and 1,90 m tall to care, but my wife almost fainted. At around we were able to enter inside the amphitheater. Wife was not feeling well, so we had to stay on one side, mid-way to the stage and below one of the recording cameras and ambient mics yes, concert was recorded professionally, some of the pictures shared by Polly were taken by a drone that was also seen flying during the gig.
Dusk came gradually and the amphitheater perimeter was lit by round lights that reminded me of the original concert. Colin Norfield and Phil Taylor were wandering around and there was a funny moment with one of them will never say who flirting with one of the very beautiful event hostesses.
There were only two small stacks of speakers on each side of the stage and I was a bit afraid, thinking that they sound quality could be impacted, but sound was perfect during the first part of the concert and then a bit louder than needed on part 2 and the encores.
The wind machine was not there at the beginning bit of a bummer as I thought One of These Days was not going to be played. The ambient noises played during concerts were used this time as well.
Not the same ones exactly, as together with the insect noises, planes, etc, some iconic song snippets were introduced Castellorizon intro, On the Run… and the pings from Echoes!
The first surprise was The Great Gig in the Sky. The last part of the ooohhhs was sang by Bryan Chambers and his voice did not do any justice to the song.
And Louise Marshall and Lucita Jules were just average. David spoke to the crowd explaining that this was a tribute to Rick, to be followed by a Boat Lies Waiting and Wish you Were Here, the latter brilliantly played, to my liking.
Personal highlights of the first set were Money full of renewed energy , the solo of In Any Tongue a killer solo this time, astonishing and the extended acoustic ending of High Hopes on the nylon string guitar.
On the negative side: People did not stop talking, shouting, smoking, moving around and recording the concert with their mobile phones during the whole freaking concert!
We even had to move to a different place a couple of times to have a bit of silence. Why the hell do people pay a fortune to attend a concert like this when they cannot behave during a couple of hours?
This spoilt the concert to me; the general atmosphere was a complete disaster. Part two began with One of These Days.
Best lightshow of the concert to me and brilliant playing. Shine on was good as well, with Greg Phillinganes doing a decent work replacing Jon Carin from last tour.
The song ended with his extended solo fading away slowly but still full of energy. Another highlight of the evening.
The Girl in the Yellow dress, with a bit of a jazzy improvisation at the end was very well played, but failed to connect with the noisy audience.
Den of Geek. The Observer. Record Collector. Archived from the original on 3 October Retrieved 1 August Retrieved 25 August Retrieved 29 September Retrieved 31 August Retrieved 7 September Retrieved 9 September Retrieved 17 January Facebook ".
Louise Clare Marshall. Retrieved 27 January Australian Recording Industry Association. Retrieved 21 October Hung Medien.
Retrieved 11 October Retrieved 6 October Retrieved 10 October Note : On the chart page, select on the field besides the word "Zobrazit", and then click over the word to retrieve the correct chart data.
Retrieved 8 October GfK Entertainment Charts. Retrieved 12 October Irish Recorded Music Association. Retrieved 7 October Recorded Music NZ.
Retrieved 27 October Polish Society of the Phonographic Industry. Retrieved 17 October Official Charts Company. Retrieved 27 July GfK Entertainment in German.
Retrieved 29 December Archived from the original Click on "Scarica allegato" and open the "Classifica annuale Album combined" file on 8 January